On the webpage of the Real Academia Española (Royal Spanish Academy, RAE), the word “perspective” has, among several definitions, two that interest me: “to look through” and “to look closely at”. This is because the purpose of this article is to share my thoughts on the position of active spectator for the research process of the project Emovere and, in this sense, to analyze the role…
Emovere, Body, Sound and Movement sought to produce a specific sensitive experience through the capture of physiological signals associated with emotion, combining an interactive and reactive model of digital technology between dance, image and sound. The starting point is sensoriality as a form of experience, where the fact that the emotional states are associated with physiological expressions…
When I was invited to the project Emovere, I felt deeply attracted when I learned that in connection with its field of interdisciplinary experimentation-investigation, this project would have emotions as a foundation; that we, the dancers, would have to provoke and disarticulate these emotions and that this construction would be captured by physiological sensors…